“Quite honestly the thing that interests me the most about her relationships with Gale and Peeta is that they’re completely organic to the situations. That in the beginning of Catching Fire, she wants to forget her time in the games and go on with her regular life, which means she will be pushing herself away from Peeta because he’s a reminder of the Games, and growing closer to her childhood friend Gale because he reminds her of home. But when she’s thrown back into the Games, she’s pulled away from Gale and pushed back towards Peeta, because she finds comfort in him having shared the trauma of the Games. But I never, for one minute, think that she sits around debating who she likes better.
She doesn’t have time for it.”—Francis Lawrence, the he-fucking-gets-it director for Mockingjay and Catching Fire (via jerichoes)
i think freckles, stretch marks, tattoos, bruises, birthmarks and scars are probably the coolest thing, you started with almost a blank canvas and look at u now, all this evidence that you’ve lived and the sun has shone on you and you’ve grown and maybe tripped up a few times and liked an image so much u made it a permanent part of u, beautiful.
imagine being in ravenclaw and going back to your common room stumbling drunk in the middle of the night after a magical night of partying and having to answer a fucking riddle in order to get in your own goddamn bedroom
"what gets wetter and wetter the more it dries" "your mom eeyyyyyyy"
if self harm is for attention why don’t you know the reason the girl who sits behind you in math wears sweaters every day and if eating disorders are for attention why don’t you know the girl who stares at you on the bus hasn’t eaten in a week and if suicide is for attention why don’t you know the reason the boy who used to eat lunch at your table doesn’t anymore